于斯曼，法国19世纪著名作家，前期拥护自然主义，和左拉、莫泊桑等人合著了短篇集《梅塘夜话》，之后转向象征主义，《逆流》就是于斯曼转型之后的代表作。于斯曼具有极高的审美品位和时代触觉，在绘画方面推崇印象主义画派，在文学方面赞赏波德莱尔、爱伦坡、拉马丁等人。于斯曼的《逆流》启发了后世很多作品，王尔德在《道连·葛雷的画像》中也提到了此书。

于斯曼，法国19世纪著名作家，前期拥护自然主义，和左拉、莫泊桑等人合著了短篇集《梅塘夜话》，之后转向象征主义，《逆流》就是于斯曼转型之后的代表作。于斯曼具有极高的审美品位和时代触觉，在绘画方面推崇印象主义画派，在文学方面赞赏波德莱尔、爱伦坡、拉马丁等人。于斯曼的《逆流》启发了后世很多作品，王尔德在《道连·葛雷的画像》中也提到了此书。

Resisting the traditional model of nineteenth-century fiction, Joris-Karl Huysman produced in 1884 a novel unlike any other of his time. Against Nature is the story of Des Esseintes, an aesthete who attempts to escape Paris and, along with it, the vulgarity of modern life. As Des Esseintes hides away in his museum of high taste, Huysman offers the reader a treasury of cultur...(展开全部)

Resisting the traditional model of nineteenth-century fiction, Joris-Karl Huysman produced in 1884 a novel unlike any other of his time. Against Nature is the story of Des Esseintes, an aesthete who attempts to escape Paris and, along with it, the vulgarity of modern life. As Des Esseintes hides away in his museum of high taste, Huysman offers the reader a treasury of cultur...(展开全部)